PS: If you want to create your own Classic Chrome preset for free, you can watch the video I made on the Gen 1 recipe here to get a good starting point.
#Classic chrome preset plus
Plus you can use filmic presets on any camera or even video thanks to LUTS. I nearly always apply the looks with a preset and not a baked-in look because it gives more control. I also love Fuji cameras and they have great profiles like Classic Chrome. This looks was especially hard to re-create on RAW, but now that I have it I can use it on files from any camera. The JPEG Classic Chrom from my Fuji V100V next to the RAW file processed with the presets only. It helps you gain perspective on every other process because film will always have an organic look. Things that were once boring become atmospheric and feel more real. But the film does something magical for digital. Presets like PowerFlow and Natural HDR and great. But the hardest to create are my Capture One and Lightroom film presets, Filmist. I’ve been making master preset packs since Lightroom launched. 2 versions of my Classic negative-like and Classic Chrom-like presets, as well as Ektar Gen2 ( I made a post about that here) With nearly 5 years of development, Filmist has become a king of great filmic presets, and I’m super proud of it. I just finished Filmist V1.8 with new Gen. The Gen.2 Classic Negative Like presets have been refined a lot since my first version a few years ago giving you the JPEG-like colors with the RAW advantages in post.
The problem is they only work on some cameras Filmic presets are the solution. That’s because they create their camera profiles from Film. It seems Fuji is the only camera maker who has managed to make its in-camera profiles iconic. Classic Negative and Classic Chrome are two very popular color profiles on Fuji cameras.
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